Anatomy of a Portrait

Understanding the portrait from the inside out.

What makes a portrait not only accurate but compelling? While likeness and expression are often emphasized, beneath every powerful portrait lies a deep structural foundation. This workshop will take students through the essential anatomical framework that supports a well-drawn or painted head, helping to demystify the construction of the human face.

We will begin by studying the proportions and forms of the human skull—learning the bony landmarks that define the shape of the head. From there, we will analyze the major planes of the face using the Assaro Head, an invaluable tool for simplifying complex forms and understanding how light describes structure. Next, we will explore the muscles of facial expression. Through careful study of each muscle’s origin, insertion, and function, students will gain a clearer sense of how these layers sit on the skull, influencing surface form and emotion.

All of this knowledge will culminate in the creation of an écorché drawing—a classical study that reveals the anatomy beneath the skin. By understanding what lies beneath, students will be able to draw and paint portraits with greater confidence, clarity, and believability.

We will finish the workshop by working from a live model, applying everything we’ve learned to observational portrait work.

In this workshop, you will learn:

·       - The proportions and structure of the human skull and how they influence the portrait.

·       - How to use the Assaro Head to understand the major planes of the face and simplify complex form.

·       - The muscles of facial expression: their form, function, and impact on surface anatomy.

·       - How to construct an écorché drawing to better visualize the layers of the head.

·       - How to apply anatomical knowledge directly to portrait drawing from life.

We will work primarily in drawing media—graphite, charcoal, and chalk—so that we can focus on structure, proportion, and anatomy without the added complexity of paint.

Some of the artists and resources we will reference include:

·       - Andrew Loomis

·       - The Asaro Head (John Asaro)

·       - Classical écorché and anatomical studies

Whether you’re a beginner looking to build strong foundational skills or a more advanced student aiming to deepen your understanding of portraiture, this workshop will give you the tools to approach the head with greater clarity and purpose.

I hope you can join us.

DETAILS